Wednesday was my first pass for signing up for classes for Spring quarter. The original plan was this:
10:00-10:50 PIC10b
12:00-12:50 French 3
1:00-1:50 Math 33A
2:00-3:50 Linguistics 20
As predicted this plan has miserably failed, this time because 33A with Laub and Linguistics 20 were both filled by the time my pass started. Now it looks like it will be the following:
8:00-8:50 Math 33A
9:00-9:50 French 3
10:00-10:50 PIC 10b
and I will have to wait and see what is left for my fourth class.
Yesterday we entered the stairwell on the way to dinner and saw a bunch of inspiring post-it notes stuck to the walls of multiple floors. I photographed as many as possible but there were 2-3 that I missed:
Whoever is responsible is my new hero, though I suppose this goes without saying.March 12 is my second concert as part of UCLA Symphony. This quarter's program is as follows:
Glinka - Overture to Russlan and Ludmilla
Lots of nostalgia of Sophomore year marching band with this one. It sounds quite good at the moment; the only problem is that we're not playing at the hilariously fast tempo that makes this piece worthwhile. Even more disappointing because one of the two recordings we were provided with by our director was selected exclusively for its tempo ("They barely hang on, it's remarkable.")
Debussy - Nuages and Fêtes from Nocturnes for Orchestra
The biggest disappointment on the program is that we are not playing the third movement, Sirèns, presumably because it requires 8 sporanos and 8 mezzo-sopranos. The irony in this is that this quarter we are being conducted by graduate conducting students of the choral director here. You would think that it would be easy enough for him to find some singers. The second movement is a bit worrisome at the moment, particularly the middle section which features the trumpets, who were still struggling with the part last I heard them (two weeks ago). But I don't have any doubts that they will have it ready by the performance, they are excellent players. I would have preferred to play Prélude à l'après-midi d'un faune but playing any Debussy is an exhilarating experience.
Schubert - Symphony no. 9 in C major - "The Great"
At 2000+ measures and 55 minutes in duration, performing this piece probably burns more calories than most people's daily workout routines. We have not actually played it start to finish yet. The final movement has some very awkward arpeggios in the string parts which some of us still need to work on. I am consistently impressed by Schubert, whose music is far more romantic than his contemporaries: a larger emphasis on melody, with hints of chromaticism in multiple places, and to top it all off, trombone parts that are actually significant. It should be a fantastic performance overall (we have been promised pizza), though it will likely be difficult for our audience, which struggled through Shostakovich's 5th, to sit through. But it's definitely a very rewarding piece to perform.
Today in Calc we had another substitute; apparently Rogawski doesn't like to come on Fridays. At least this time she was somewhat comprehensible, though I was unfortunately half asleep for the entire lecture and couldn't take advantage of this.
Tonight we paid $2 to see No Country for Old Men in Ackerman. Though a little too intense for my tastes, it was quite good. It also has the creepiest villain ever.
I have also discovered my new favorite question from Who Wants to be a Millionaire?:























