Yesterday was the final discussion for AUD 10b (We don't have one tenth week because the final is on Thursday.) As the TA was leaving so that we could fill out the course evaluations she told us "If you still haven't received your grade for the first essay, get in contact with the professor." I was already apprehensive about the essay because we turned it in early May and she said grades would be sent out over two weeks ago. But as I was looking up the professor's email address in the syllabus to contact her I started to panic because it didn't look familiar at all. I checked my sent mail folder and sure enough I had sent the electronic copy of my essay to a different address. I flipped out and emailed her another copy and asked if it was a problem. I feared she wouldn't accept it this late or wouldn't respond to me ever. Much to my surprise I received a short email less than 20 minutes later, with nothing but two short sentence fragments and some questionable punctuation:
"A.
good work, well-written and organized..."
A while ago there was a lot of fuss about the iPhone, which I was never too fond of. But as she unveiled to me yesterday, Cassandra has finally finished engineering her very own iPhone competitor. Finally some trendy new technology that I can support!
And here's a nice photo of me talking jauntily on the new iPhone killer (You'll have to excuse my hair for being so dark that it's difficult to see the upper half)
And speaking of phones, a glorious new face was discovered yesterday on the back of the case of Cassandra's:
A few awkward conversation fragments my ears picked up over the past few weeks while walking past people:
- Guy on a cell phone: "All your friends are gay. I don't want to be your friend anymore."
- Girl, to two friends: "And you know what Chris did? He quit his Pokémon application because they weren't as cute."
- Guy, to another guy walking with him: "I haven't had hiccups in like two years. If I have hiccups it's going to be monstrous."
- Guy in our class: "What does it mean where it says 'not covered but interesting' on the review sheet?"
Professor: "You should probably know that material but you will not be tested on it. It basically means it's more interesting to me than it is to you right now." - Professor: "The TAs will be reviewing tomorrow in your recitation sections."
Guy in our class: "What if I can't go tomorrow?"
Professor: "Well... then you can't go." - Guy in our class, two days before midterm: "Can you email us the key to the practice midterm?"
Profesor: "No, there is no key to the practice midterm."
Guy: "Can you make up one?"
Professor: "No, I'm really behind. I have to make up an exam first."
"(scribble) eer on (scribble)
Now I know they don't kill you."
Words that make me lament my love of language:
- Legit - Generally used as a synonym for "good". As in "That's legit." I am going to start using illegit exclusively to mean "bad". Anyone want to join me?
- Down - Used to mean "want". As in "Are you down for going to Rendezvous? Yeah I'm totally down for that."
- Unnecessary prepositions - Mostly the phrase "Where're you at?"
- Catch - Used to mean "meet". As in "I'll catch you later."
- Bounce - Used as a synonym for "leave". As in "I think I'm going to bounce."
Yesterday we drove to Santa Monica to eat at Buca di Beppo for my sister's birthday. And I couldn't help but think the entire time how much of a nightmare it must be to live anywhere in LA. It lacks the efficient mass transportation found in nearly every other large city in the world, forcing everyone to drive everywhere. This might be tolerable if the streets weren't so tiny and if there were any parking anywhere. I'm definitely moving either east of LA or staying in Orange County after I'm done with college. UCLA is nice but the rest of LA is a hellhole.
I am currently about five minutes into a new work for band - which has been my number one goal since January or so. You can see proof that I'm not making this up here. The principal motif for this work is a retrograde inversion of the main motif of the middle section of Clockwork, a piece which is about a year old now. I was messing around with the piece earlier this year and discovered how nice some it sounds backwards. It's both a melodic and a rhythmic inversion - the dotted eighth - sixteenth - eighth rhythm is now eighth - sixteenth - dotted eighth. It's a bit of an unusual rhythm so I hope my notation is clear enough. To make the piece a bit more rhythmically interesting I also shorted the middle pulse of each measure from three sub-pulses to two - Instead of 9/8 with 3 major beats it is now written as 3+2+3/8.
The piece starts with a few tutti passages that most closely resemble the original inversion, then quickly breaks down into a sporadic section, with rapidly changing instrumentation, a lot of call-and-response type writing. The main rhythmic motif is constantly heard throughout. Eventually it builds to a climax of one of the secondary melodies, which is where I am right now. The current plan for finishing is to make it die down a little, bring it back up gradually to a recapitulation of the opening and then a flashy coda. After I finish this I will orchestrate (and drastically revise) the original Clockwork for band and hopefully have a nice two-movement suite.
